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Bios:Justine A. ChambersJustine A. Chambers is a dance artist living and working on the unceded Coast Salish territories of the Sḵwx̱wú7mesh, Musqueam and Tsleil-Waututh Nations.Her movement based practice considers how choreography can be an empathic practice rooted in collaborative creation, close observation, and the body as a site of a cumulative embodied archive. Privileging what is felt over what is seen, she works with dances that are already there – the social choreographies present in the everyday. She is Max Tyler-Hite's mother. Alana GereckeBased in Vancouver, on the unceded traditional territories of the xʷməθkʷəjˀəm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ilwətaɁɬ (Tsleil Waututh) First Nations, Alana Gerecke is a settler scholar, mother, and dance artist of mixed European descent.She researches choreography in public space, asking questions about how bodies are cast into relation with natural and built environments, and with other bodies. Her current book project, Moving Publics, examines the social and spatial politics of site-based dance in Vancouver. A former Trudeau Scholar and Banting Postdoctoral Fellow, Alana is currently a Jack and Doris Shadbolt Fellow in the Humanities (Urban Studies, SFU) and Artist-in-Residence at Vancouver's Dance Centre (2021-22).Annabel VaughanAnnabel Vaughan is an architect and project manager at ERA Architects, she recently returned to Vancouver to manage projects in BC.She received her Master of Architecture from The School of Architecture at the University of British Columbia, where her master's thesis examined the use of heritage buildings as mnemonic devices for the collective memory of cities and their public lives. Annabel joined ERA Architects in 2015 after two decades in Vancouver, including 10 years at Birmingham & Wood where she was involved in all aspects of design and construction, including the award-winning Mountain View Cemetery. A project that revitalized an important cultural heritage landscape in the middle of the city. Her professional work includes heritage conservation, small-scale landscape architecture insertions, civic and residential building design, urban design and research, performance art lectures, and curatorial projects.She writes, teaches and participates regularly in discussions concerning the role that architecture and public art can play as agents of political change in the city.Resources: — Alana Gerecke's website: https://agerecke.wixsite.com/alanagerecke— Justine A. Chambers's website: https://justineachambers.com/— About Annabel Vaughan: https://www.eraarch.ca/person/annabel-vaughan/— Everyday Choreographies (2016) event recording: https://soundcloud.com/sfu_voce/everyday-choreographies-alana-gerecke-and-justine-chambers?in=sfu_voce/sets/public-event-recordings
Author: Chambers, Justine A., Author: Alana Gerecke, Author: Annabel Vaughan, Author: Johal, Am, Author: Melissa Roach, Author: Paige Smith, Author: Kathy Feng, Author: Alyha Bardi, Author: Steve Tornes, Author: Alex Masse
Date created: 2022-04-19
Henry Tsang is an artist and occasional curator who explores the spatial politics of history, cultural translation, community-building, the mobility of people, capital, values, desires, and food in relationship to place. His recent book, WHITE RIOT: The 1907 Anti-Asian Riots in Vancouver (Arsenal Pulp Press, 2023), explores the conditions leading up to and the impact of a demonstration and parade in Vancouver, Canada, organized by the Asiatic Exclusion League and the ensuing mob attack on the city's Chinese Canadian and Japanese Canadian communities. His art projects employ video, photography, interactive media, convivial events, and language, in particular, Chinook Jargon, the North American west coast trade language. Presentations take the form of gallery exhibitions, pop-up street food offerings, 360 video walking tours, curated dinners, ephemeral and permanent public art. Henry is a past recipient of the VIVA Award and is an Associate Dean at Emily Carr University of Art and Design.
Jack (John Kuo Wei) Tchen is a historian, curator, dumpster-diver, and teacher surfacing the disappeared stories othered by systems of power and wealth. Dr. Tchen is the Clement A. Price Professor of Public History & Humanities and Director of the Price Institute on Ethnicity, Cultures, and the Modern Experience at Rutgers University - Newark. His ten-years of work on anti-Asian xenophobia, a two-hour PBS documentary on the “Chinese Exclusion Act,” and exhibition at the New-York Historical Society led him to focus on intersectional history of American eugenics. He has been working with the Munsee Lunaape Elders and honoring enslaved in the region by documenting, sharing, and decolonizing the history of Newark and the larger bioregion. He is the founding director of the A/P/A (Asian/Pacific/American) Studies Program and Institute at New York University, NYU. In 1980, he co-founded the New York Chinatown History project, now the Museum of Chinese in America with Charles Lai.
Andy Yan is the director of The City Program at Simon Fraser University where he is an adjunct professor of Urban Studies. Prior to his SFU appointment, Andy has worked extensively in the non-profit and private urban planning sectors with projects in the metropolitan regions of Vancouver, San Francisco, New York City, Los Angeles and New Orleans. Andy holds a Masters of Urban Planning from the University of California – Los Angeles and a Bachelor of Arts with First Class Honours distinctions in Geography and Political Science from Simon Fraser University.
Dr. Melissa Karmen Lee (Ph.D) 李林嘉敏 is a visual arts and literature scholar, curator, archivist and storyteller with research interests in public art and social engagement. She currently holds the appointment of Chief Executive Officer (CEO) at the Chinese Canadian Museum, in Vancouver, British Columbia. From 2019-2022, she was the Director of Education and Public Programs at the Vancouver Art Gallery. From 2016-2019 she was the education and public programs curator for Tai Kwun Centre for Heritage and Art. She holds degrees from McGill, Canterbury and Lancaster Universities.
Jack (John Kuo Wei) Tchen is a historian, curator, dumpster-diver, and teacher surfacing the disappeared stories othered by systems of power and wealth. Dr. Tchen is the Clement A. Price Professor of Public History & Humanities and Director of the Price Institute on Ethnicity, Cultures, and the Modern Experience at Rutgers University - Newark. His ten-years of work on anti-Asian xenophobia, a two-hour PBS documentary on the “Chinese Exclusion Act,” and exhibition at the New-York Historical Society led him to focus on intersectional history of American eugenics. He has been working with the Munsee Lunaape Elders and honoring enslaved in the region by documenting, sharing, and decolonizing the history of Newark and the larger bioregion. He is the founding director of the A/P/A (Asian/Pacific/American) Studies Program and Institute at New York University, NYU. In 1980, he co-founded the New York Chinatown History project, now the Museum of Chinese in America with Charles Lai.
Andy Yan is the director of The City Program at Simon Fraser University where he is an adjunct professor of Urban Studies. Prior to his SFU appointment, Andy has worked extensively in the non-profit and private urban planning sectors with projects in the metropolitan regions of Vancouver, San Francisco, New York City, Los Angeles and New Orleans. Andy holds a Masters of Urban Planning from the University of California – Los Angeles and a Bachelor of Arts with First Class Honours distinctions in Geography and Political Science from Simon Fraser University.
Dr. Melissa Karmen Lee (Ph.D) 李林嘉敏 is a visual arts and literature scholar, curator, archivist and storyteller with research interests in public art and social engagement. She currently holds the appointment of Chief Executive Officer (CEO) at the Chinese Canadian Museum, in Vancouver, British Columbia. From 2019-2022, she was the Director of Education and Public Programs at the Vancouver Art Gallery. From 2016-2019 she was the education and public programs curator for Tai Kwun Centre for Heritage and Art. She holds degrees from McGill, Canterbury and Lancaster Universities.
Interviewer: Lee, Melissa Karmen, Interviewee: Tchen, Jack, Interviewee: Tsang, Henry, Interviewee: Yan, Andy
Date created: 2023-09-20
Andrew Feenberg studied with Herbert Marcuse at the University of California, San Diego. He served as Canada Research Chair in Philosophy of Technology in the School of Communication, Simon Fraser University. He also served as Directeur de Programme at the Collège International de Philosophie in Paris. His books include Questioning Technology, Transforming Technology, Between Reason and Experience, The Philosophy of Praxis, and Technosystem: The Social Life of Reason. His most recent book is entitled The Ruthless Critique of Everything Existing: Nature and Revolution in Marcuse's Philosophy of Praxis.
Interviewer: Johal, Am, Interviewee: Feenberg, Andrew
Date created: 2023-09-26