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in several times is a choreography of space, memory and the body. Developed from personal stories, family history and nostalgic association, the work aims to create a place in which several times and environments can be remembered and acknowledged simultaneously. The process of creating this work began with a trip to spaces that held significance to my family, searching for traces of the past in the present, and the recollection of senses that connect my body to these spaces and my history. The work has been developed with the creative input of five performers, two sound designers and a lighting designer who meet in an ever-evolving concert, enveloped in wafts of fresh dill and lemon. Presented in traverse arrangement, with two different sound spaces at either end of the corridor, the performance surrounds the viewer bringing them into the collective act and embodiment of remembering, recalling and sensing.
Author: Gwiazda, Linnea Tonya Else
Date created: 2017-11-29
This video accompanies the thesis "Atmospheres of Inference".
Author: Brazeau, Jean
Date created: 2022-12-06
This short film in collaboration with the Surrey Urban Indigenous Leadership Committee, Skookum Surrey and the SFU Centre for the Study of Educational Leadership and Policy.
“For the next seven generations: An exploration of Urban Indigenous Women’s Leadership Framework through the experiences of Indigenous women engaged in a community-based leadership program follows the principles of O.C.A.P. (ownership, control, access, and possession). Under these principles, each individual participating, Skookum Surrey, and SFU’s Centre for the Study of Educational Leadership and Policy join to own and control the work.
Ongoing consent is required, meaning that if Skookum Lab and its partners in the project wish to use the materials produced above and beyond what is agreed to in the project consent form, participants will be consulted and asked if they are willing to provide additional consent.
“For the next seven generations: An exploration of Urban Indigenous Women’s Leadership Framework through the experiences of Indigenous women engaged in a community-based leadership program follows the principles of O.C.A.P. (ownership, control, access, and possession). Under these principles, each individual participating, Skookum Surrey, and SFU’s Centre for the Study of Educational Leadership and Policy join to own and control the work.
Ongoing consent is required, meaning that if Skookum Lab and its partners in the project wish to use the materials produced above and beyond what is agreed to in the project consent form, participants will be consulted and asked if they are willing to provide additional consent.
Contributor: Morgan, Ravina, Contributor: Jules, Raina, Contributor: Lumberjack, Melissa, Contributor: Dumais-Ziprick, Krystal, Contributor: Rosso, Megan, Contributor: Jack, Samantha, Contributor: Boissoneau, Amelia, Contributor: Kennedy, Naomi, Contributor: Slater, Jeska, Contributor: Pidgeon, Michelle, Contributor: Cox, Rebecca D., Contributor: Leveille, Andrea
Date created: 2022
Compilation of images and videos of the final performance and exhibition.
Author: Desentis Rodríguez, Karla
Date created:
Compilation of images and videos from the creative process.
Date created:
This video is supplemental material to the thesis "Whorls of becoming: Wayfinding in the praxis of becoming a good relative, relating."
Author: Robinson, Kelly
Date created: 2022-09-20
This video is supplemental material to the thesis "Whorls of becoming: Wayfinding in the praxis of becoming a good relative, relating".
Author: Robinson, Kelly
Date created: 2022-09-20
Video accompanying the thesis "A ravine of in-betweens: The body, dance, and writing into the excess."
Author: Bergonzoni, Carolina
Date created:
Video accompanying the thesis "A ravine of in-betweens: The body, dance, and writing into the excess."
Author: Bergonzoni, Carolina
Date created:
Video accompanying the thesis "A ravine of in-betweens: The body, dance, and writing into the excess."
Author: Bergonzoni, Carolina
Date created: 2022-04-07
Date created: 2021-12-16
Date created: 2023-01-03
Dr. Dara Kelly is from the Leq’á:mel First Nation, part of the Stó:lō Coast Salish and completed her PhD at the University of Auckland Business School entitled, “Feed the people and you will never go hungry: Illuminating Coast Salish economy of affection”. Her research explores Coast Salish philosophy of freedom, unfreedom, wealth and reciprocity and how that shapes Coast Salish philosophy of economy. Dr Kelly is a recipient of the 2020 Early in Career Award for Confederation Of University Faculty Associations of BC (CUFA BC) Distinguished Academic Awards.
Author: Kelly, Dara
Date created: 2022-03-15
Lyana Patrick is Dakelh from the Stellat’en First Nation and Acadian/Scottish. She has worked in communications and education for over two decades. She was Education Coordinator in the Faculty of Medicine at the University of British Columbia where she worked on curriculum development, managed education programs, and promoted knowledge translation of Indigenous research findings to health care providers and health sciences students. She has worked on evaluation projects connected to Indigenous health and education, including for the City of Vancouver where she helped design community engagement for a municipal poverty reduction strategy. She received a Vanier Canada Graduate Scholarship to pursue a PhD in the School of Community and Regional Planning where in 2019 she became the first Indigenous PhD graduate. Lyana is currently an Assistant Professor in the Faculty of Health Sciences where her work focuses on the intersection of Indigenous health, planning and justice. She incorporates film and other multimedia in her work and is committed to public scholarship as a creative and collaborative process of exploration with Indigenous communities.
Author: Patrick, Lyana
Date created: 2022-02-14
Dorothy Cucw-la7 Christian’s cultural roots are in Splatsin, one of the 17 communities of the Secwepemc Nation. She is the eldest of 10, has one daughter and over 65 nieces, nephews, great nieces and nephews and as of May 2021 she became a great, great Auntie. Her research centralizes and privileges Indigenous knowledge systems, which illustrates the key roles of land, story, and cultural protocols. Dorothy Cucw-la7 locates herself in the “cultural interface” (Nakata, 2002) – the place where Indigenous peoples have agency and meet Settler cultures without being bogged down and paralyzed by the usual colonial binaries. Her PhD research articulated some of the complexities of Indigenous research methodologies. The major themes of Dorothy’s work are: Indigenous representation, Indigenous Visual Sovereignty and Aesthetics in Visual Narratives, Alliance building with white and people of color Settler cultures, and Reconciliation from her Secwepemc-Syilx perspective. She continues to serve in the Indigenous Film and Television sector as a Board Member of the Indigenous Screen Office in Toronto. Dorothy has curated a 2018 program, The Voices From The Western Regions of Turtle Island, and she programmed the Victor Masayesva, Jr. Retrospective, Dawsoma: Making Meaning at the ImagineNative film festival in Toronto -– the largest Indigenous film festival in the world.
Author: Christian, Dorothy
Date created: 2022-01-25