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Call to Order was interspersed throughout the space of Institutions by Artists as house music and sound cues during the debates, and as a live performance on Sunday, October 14, 2012. The live performance occurred at 1 pm in the World Art Centre Studio at the Goldcorp Centre for the Arts, Simon Fraser University and was performed by Peggy Lee (cello), Jon Bentley (alto and bass clarinets), and Chris Gestrin (piano)"
Author: Ritter, Kathleen, Author: Maxwell, James, Author: PARRC, Contributor: Peggy Lee (cello), Contributor: Jon Bentley (alto and bass clarinets), Contributor: Chris Gestrin (piano)
Date created: 2012
Call to Order was interspersed throughout the space of Institutions by Artists as house music and sound cues during the debates, and as a live performance on Sunday, October 14, 2012. The live performance occurred at 1 pm in the World Art Centre Studio at the Goldcorp Centre for the Arts, Simon Fraser University and was performed by Peggy Lee (cello), Jon Bentley (alto and bass clarinets), and Chris Gestrin (piano)"
Author: Ritter, Kathleen, Author: Maxwell, James, Author: PARRC, Contributor: Peggy Lee (cello), Contributor: Jon Bentley (alto and bass clarinets), Contributor: Chris Gestrin (piano)
Date created: 2012
Call to Order was interspersed throughout the space of Institutions by Artists as house music and sound cues during the debates, and as a live performance on Sunday, October 14, 2012. The live performance occurred at 1 pm in the World Art Centre Studio at the Goldcorp Centre for the Arts, Simon Fraser University and was performed by Peggy Lee (cello), Jon Bentley (alto and bass clarinets), and Chris Gestrin (piano)"
Author: Ritter, Kathleen, Author: Maxwell, James, Author: PARRC, Contributor: Peggy Lee (cello), Contributor: Jon Bentley (alto and bass clarinets), Contributor: Chris Gestrin (piano)
Date created: 2012
Disclaimer: All testimonies are the experiences and beliefs of the individuals interviewed.
Author: Creyke, Tiffany, Author: Interviewer: Bishop, Stephanie, Author: Oral Testimony Archivist(s): Weasel Bear, Robyn, Author: Principle Investigator: ross, Dr. annie
Date created: 2012-04-30
Author: Nyx, Eris, Author: Johal, Am, Author: Smith, Paige, Author: Roach, Melissa, Author: Feng, Kathy, Author: Pinillos, Fiorella, Author: SFU's Vancity Office of Community Engagement
Date created: 2020-10-08
Author: Nahanee, Ta7talíya Michelle , Author: Johal, Am, Author: Smith, Paige, Author: Roach, Melissa, Author: Feng, Kathy, Author: Pinillos, Fiorella, Author: SFU's Vancity Office of Community Engagement
Date created: 2020-10-13
Author: Savoy, Jessica , Author: Villanueva-Cruz, Edgard , Author: Johal, Am, Author: Smith, Paige, Author: Roach, Melissa, Author: Feng, Kathy, Author: Pinillos, Fiorella, Author: SFU's Vancity Office of Community Engagement
Date created: 2020-10-22
Author: Sungshine, Jen, Author: Johal, Am, Author: Smith, Paige, Author: Roach, Melissa, Author: Feng, Kathy, Author: Pinillos, Fiorella, Author: SFU's Vancity Office of Community Engagement
Date created: 2020-10-27
Author: Ismaciil, Ayaan Ismaciil , Author: Mhuriro, Natasha, Author: Obungah, Jackie
Date created: 2020-08-11
A visual artist who grew up in Vancouver’s Chinatown, Gwen Boyle’s work explores movement, history, and place. The granddaughter of a Pender Street jeweller, Gwen draws inspiration from the sights and sounds of her childhood — the clinking of beads on an abacus, the hammering of jade, the melting of gold. Gwen is in conversation with host Am Johal about experiences from her Chinatown upbringing. She shares what led her to pursue a lifelong career in art, and her fascination with the Arctic. She also speaks to some of her particular works, including the public art installation, “Abacus (Suan Phan),” an interactive sculpture symbolic of “merchants and old social fabric of Shanghai Alley and Chinatown.”
Author: Gwen Boyle, Author: Johal, Am, Author: Fiorella Pinillos, Author: Melissa Roach, Author: Paige Smith, Author: Kathy Feng, Author: Alex Abahmed
Date created: 2020-10-29