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Looking at the Interactive Narrative Experience through the Eyes of the Participants.

Resource type
Date created
2008
Authors/Contributors
Author (aut): Milam, David
Author (aut): Seif El-Nasr, Magy
Author (aut): Wakkary, Ron
Abstract
The topic of interactive narrative has been under research for many years. While there has been much research exploring the development of new algorithms that enable and enhance interactive narratives, there has been little research focusing on the question of how players understand and internalize their interactive narrative experiences. This paper addresses this problem through conducting a phenomenological study on participants playing Façade; we specifically chose a phenomenological methodology due to its emphasis on the participants‟ lived experience from the participants‟ viewpoint. We chose Façade, because it is the only accessible example of an experience that revolves around social relationships, conflict, and drama as its core mechanics. In this paper, we discuss sixteen themes that resulted from the analysis of the data gathered through the study. In addition, we reflect on these themes discussing their relationship to participants‟ backgrounds, and project implications on the design of future interactive narratives.
Document
Published as
This is the author’s version of the work. The definitive version was published in David Milam, Magy Seif El-Nasr, and Ron Wakkary. Looking at the Interactive Narrative Experience through the Eyes of the Participants. International Conference on Interactive Storytelling, 2008, SPRINGER publication. Downloaded from the SFU Library institutional repository.
Publication title
International Conference on Interactive Storytelling
Document title
Looking at the Interactive Narrative Experience through the Eyes of the Participants
Publisher
Springer
Date
2008
Copyright statement
Copyright is held by the author(s).
Permissions
You are free to copy, distribute and transmit this work under the following conditions: You must give attribution to the work (but not in any way that suggests that the author endorses you or your use of the work); You may not use this work for commercial purposes; You may not alter, transform, or build upon this work.
Scholarly level
Peer reviewed?
Yes
Language
English
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