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Selena Couture is a settler scholar and Assistant Professor at the University of Alberta, in Edmonton/ Treaty 6 territory and Métis Region No.4. Her projects engage with theatrical and cultural performances including speech acts, place naming, Indigenous language revitalization and phenomenological spatial orientations. Through these elements she explores relationships to land: deconstructing conceptions of settler colonial whiteness and possession while foregrounding the maintenance of Indigenous places through performance. Publications include, Against the Current and Into the Light: Performing History and Land in Coast Salish Territories and Vancouver's Stanley Park (McGill-Queen's UP Indigenous and Northern Series, 2020) and On this Patch of Grass: City Parks and Occupied Lands (Fernwood 2018).She holds a SSHRC Insight Development Grant, "Decolonizing Performative Reenactments of History" which engages with the historical narratives created in rural BC, taking into account the lack of treaties to govern settler access to the land; the continuously present Indigenous protection of unceded territories despite settler colonial extraction; and the unique relation to the lands expressed through Indigenous languages.She is also a co-director of the Ecologies research cluster in the SSHRC Partnership Grant "Hemispheric Encounters: Developing Transborder Research-Creation Practices," (2020-2027) led by Dr. Laura Levin of York University. The project is developing a network across the Americas of organizations, artists, activists and scholars actively working in and with hemispheric performance to share strategies and resources. Her research in this project focuses on human and environmental effects of transnational resource extraction, as well as site-based performance strategies of refusal that address urban, environmental, and spatial politics.Her research practice responds to the growing crisis of global warming, develops a wider collaborative network and expands efforts to create responsible relations with Indigenous people, lands and all other-than-human beings.Resources:— Against the Current and Into the Light: https://www.mqup.ca/against-the-current-and-into-the-light-products-9780773559219.php — UBC's First Nations and Endangered Languages Program: https://fnel.arts.ubc.ca/— Inventing Stanley Park by Sean Kheraj: https://www.ubcpress.ca/inventing-stanley-park— The Archive and the Repertoire by Diana Taylor: https://www.dukeupress.edu/the-archive-and-the-repertoire— The Native Brotherhood of British Columbia: https://www.nativebrotherhood.ca/— Ashes on the Water: A Podplay Video: https://vimeo.com/27876873— The Road Forward by Marie Clement
Author: Selena Couture, Author: Johal, Am, Author: Melissa Roach, Author: Paige Smith, Author: Kathy Feng, Author: Alyha Bardi, Author: Steve Tornes
Date created: 2021-12-07
Bios:Justine A. ChambersJustine A. Chambers is a dance artist living and working on the unceded Coast Salish territories of the Sḵwx̱wú7mesh, Musqueam and Tsleil-Waututh Nations.Her movement based practice considers how choreography can be an empathic practice rooted in collaborative creation, close observation, and the body as a site of a cumulative embodied archive. Privileging what is felt over what is seen, she works with dances that are already there – the social choreographies present in the everyday. She is Max Tyler-Hite's mother. Alana GereckeBased in Vancouver, on the unceded traditional territories of the xʷməθkʷəjˀəm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ilwətaɁɬ (Tsleil Waututh) First Nations, Alana Gerecke is a settler scholar, mother, and dance artist of mixed European descent.She researches choreography in public space, asking questions about how bodies are cast into relation with natural and built environments, and with other bodies. Her current book project, Moving Publics, examines the social and spatial politics of site-based dance in Vancouver. A former Trudeau Scholar and Banting Postdoctoral Fellow, Alana is currently a Jack and Doris Shadbolt Fellow in the Humanities (Urban Studies, SFU) and Artist-in-Residence at Vancouver's Dance Centre (2021-22).Annabel VaughanAnnabel Vaughan is an architect and project manager at ERA Architects, she recently returned to Vancouver to manage projects in BC.She received her Master of Architecture from The School of Architecture at the University of British Columbia, where her master's thesis examined the use of heritage buildings as mnemonic devices for the collective memory of cities and their public lives. Annabel joined ERA Architects in 2015 after two decades in Vancouver, including 10 years at Birmingham & Wood where she was involved in all aspects of design and construction, including the award-winning Mountain View Cemetery. A project that revitalized an important cultural heritage landscape in the middle of the city. Her professional work includes heritage conservation, small-scale landscape architecture insertions, civic and residential building design, urban design and research, performance art lectures, and curatorial projects.She writes, teaches and participates regularly in discussions concerning the role that architecture and public art can play as agents of political change in the city.Resources: — Alana Gerecke's website: https://agerecke.wixsite.com/alanagerecke— Justine A. Chambers's website: https://justineachambers.com/— About Annabel Vaughan: https://www.eraarch.ca/person/annabel-vaughan/— Everyday Choreographies (2016) event recording: https://soundcloud.com/sfu_voce/everyday-choreographies-alana-gerecke-and-justine-chambers?in=sfu_voce/sets/public-event-recordings
Author: Chambers, Justine A., Author: Alana Gerecke, Author: Annabel Vaughan, Author: Johal, Am, Author: Melissa Roach, Author: Paige Smith, Author: Kathy Feng, Author: Alyha Bardi, Author: Steve Tornes, Author: Alex Masse
Date created: 2022-04-19