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We move together or not at all: Consent as choreographic practice and its flourishings

Resource type
Thesis type
(Thesis) M.A.
Date created
2021-12-01
Authors/Contributors
Abstract
This thesis explores consent within the frame of choreographic practice. It is also a text that works to imagine the possibility of a consent-based choreography coming into the service of multi-species care. Drawing on conversations with five Canadian dance artists and my own dance and choreographic praxes, I consider how consent can be expressed through unison with difference. The practices described generate knowledge that is relevant to developing a nuanced approach to consent in the choreographic field. I posit that consent can facilitate the development of a corporeal solidarity and movement practice that celebrates rather than effaces the proofs of a dance artist's labour. And that this labour can generate material traces that counter normative understandings of the archive in choreography, that the embodied leaky self can lead to vegetal flourishings that can become a counter-memory of a dance. This research's insistence upon not just the right of the body to sweat and to overheat, but its absolute necessity as part of a choreographic process, speaks to the right of the body to labour explicitly in a consensual context
Document
Extent
105 pages.
Identifier
etd21717
Copyright statement
Copyright is held by the author(s).
Permissions
This thesis may be printed or downloaded for non-commercial research and scholarly purposes.
Supervisor or Senior Supervisor
Language
English
Download file Size
etd21717.pdf 13.03 MB

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