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Sugar's Waste

Date created
2016-11-08
Authors/Contributors
Abstract
Sugar’s Waste is an experimental, theatrical music performance, one hour in duration. The work features songs, experimental choral work, and atmospheric instrumental pieces. The scores are created by hand, using a combination of traditional, durational, graphic and indeterminate notation. The core ensemble is a string quintet that doubles as a vocal chorus; some pieces feature further additions, such as live digital processing, electric guitar, piano and hand-held tape recorders. Short poetry readings are scattered throughout. Sugar’s Waste is related to 20th and 21st Century non-narrative, post-operatic practices, as well as popular music formats such as conceptually-integrated recorded albums. The songs and scores were written concurrently with a series of poetic texts that address themes of partition, enclosure and resistance in the historical and imaginary ‘range’ of early post-contact North America. These themes inspired the staging, set and sound design of the work.
Document
Identifier
etd9905
Copyright statement
Copyright is held by the author.
Permissions
This thesis may be printed or downloaded for non-commercial research and scholarly purposes.
Scholarly level
Member of collection
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etd9905_RBruton.pdf 2.1 MB

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