This thesis is an examination of the radio production techniques and media theories of Canadian Imbert Orchard (1909-1991). Throughout his career at the CBC and a brief period as lecturer at Simon Fraser University, he championed notions such as ‘aural history’ and ‘document in sound’ over oral history and documentary. His system of ‘levels of remove’ intentionally employed acoustic impressions of time and place as a means of representing different historical perspectives within the radio format. Through a comparison with radio documentaries produced by his contemporaries, Glenn Gould (CBC) and the World Soundscape Project (CBC and SFU), the thesis makes apparent a theme of preservationist values with progressive techniques on CBC Radio. By analyzing archived materials and production techniques, the thesis aims to situate Orchard alongside these well-documented historical figures of Canadian sound studies in order to emphasize the importance of his concept of aural history.
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Supervisor or Senior Supervisor
Thesis advisor: Truax, Barry
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