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Displaying 1 - 21 of 21
How and Why to Do Things with Eighteenth-Century Manuscripts
2021-11-19
Difference Relates: Allegory, Ideology, and the Anthropocene
2021-02-22
The "Unfetter'd" Muse: Robert Burns, Pre-Confederation Poets, and Transatlantic Circulation
2019-12-19
Between Archive and Repertoire: Astley's Amphitheatre, Early Circus, and Romantic-Era Song Culture
2019-12
Memory Studies and the Eighteenth Century
2019-01-17
Mediating Cultural Memory: Ireland and the "Glorious Revolution"
2018-08-07
Back to the Future: Remembering the 1707 Act of Union in the 2014 Referendum Campaign
2015-12-15
Index of Contributors to Crucible Magazine, 1932-1943
2014-11
Scottish Literature and “Engl. Lit.”
2012
Imagining the Miscellaneous Nation: James Watson's Choice Collection of Comic and Serious Scots Poems
2011-09-01
Negotiating Cultural Memory: James Currie’s Works of Robert Burns
2010
A New Perspective on the Scottish Diaspora
2009-05
Sequels of Colonialism: Edward Bunting's Ancient Irish Music
2008-07-01
From Fingal's Harp to Flora's Song: Scotland, Music and Romanticism
2000-04
The (Bio)logical Fallacies of Luce Irigaray
2000-03
Gender and the Nation in the Work of Robert Burns and Janet Little
1998-10
James Currie's "Works of Robert Burns": The Politics of Hypochondriasis
1997-03
"Bounded to a District Space": Burns, Wordsworth, and the Margins of English Literature
1994-03
Origins of the Specious: James Macpherson's Ossian and the Forging of the British Empire
1993-07
Irish Bards and English Consumers: Thomas Moore's "Irish Melodies" and the Colonized Nation
1993-04-01
Student and Faculty Surveys on Digital Humanities Labour and Training