Skip to main content

Goodnight noises everywhere

Resource type
Thesis type
(Project) M.F.A.
Date created
2006
Authors/Contributors
Abstract
goodnight noises everywhere consists of several performative soundwalks around Vancouver’s Commercial Drive neighbourhood, exploring the question: how can vulnerability, experienced through the intersection of public space and private life, be used as a creative resource? Vulnerability is examined through bodily response to uncertain environments and circumstances: sites in the midst of change and unexpected events unfolding in public space. Tracing influence from interventionists, post-modern dance and relational aesthetics, the project connects to a lineage committed to contesting the line between art and life. By creating an unexpected dissolve between art event and life event, the soundwalks invoke a sense of vulnerability in both audience and performers that in turn creates immediacy and intimacy of experience that is unique, temporal, and, hopefully, gives rise to further creativity. This is vulnerability as creative resource, the art in the project.
Document
Copyright statement
Copyright is held by the author.
Permissions
The author has not granted permission for the file to be printed nor for the text to be copied and pasted. If you would like a printable copy of this thesis, please contact summit-permissions@sfu.ca.
Scholarly level
Language
English
Member of collection
Download file Size
etd2631.pdf 7.82 MB

Views & downloads - as of June 2023

Views: 0
Downloads: 0