Skip to main content

Life or Death: Anxiety About the Urban in 1950s Egyptian Cinema

Resource type
Date created
2015-04
Authors/Contributors
Author: Paul Sedra
Abstract
Life or Death (Haya aw mawt) is a classic of Egyptian cinema, widely interpreted retrospectively by scholars as an ode to progress, modernity, the nation, and the chief emblem of such, the burgeoning city. Indeed, the film was included in the list of ‘the most important 100 Egyptian films,’ commissioned by the Bibliotheca Alexandrina and assembled by Ahmed el-Hadari, Samir Farid, and Kamal Ramzi in 2006. Released in 1954, the film is associated by critics and scholars with the 1952 Free Officers’ Revolution, which paved the way for the end of empire in Egypt, Gamal Abdel Nasser’s rise to power, the rule of Egypt by Egyptians – all in all, a spirit of nationalism and civic duty. This paper suggests that scholars have, in their enthusiasm for the pathbreaking cinema that was emerging in the revolutionary 1950s, neglected the suspicion and ambivalence about the urban that pervade a film like Life or Death. Essentially, in focusing upon the bustling urban life that the film so richly illustrates, scholars have set aside this invocation of death in the title as unimportant or inconsequential. Yet, this is a film much concerned with death. That is to say, this is a film about the potential death of a way of life, a death whose perceived imminence is lamented to no small extent in the film.
Name
Sedra Cinema Lecture.mp4
Video file

Keywords

Copyright statement
Copyright is held by the author(s).
Permissions
You are free to copy, distribute and transmit this work under the following conditions: You must give attribution to the work (but not in any way that suggests that the author endorses you or your use of the work); You may not use this work for commercial purposes.
Scholarly level
Peer reviewed?
No
Language
English
Member of collection

Views & downloads - as of June 2023

Views: 38
Downloads: 0