Simon Fraser University Undergraduate Collection

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This collection contains undergraduate honours theses and certain other selected undergraduate works by SFU undergraduate students.

Deep Learning for Satellite Image Analysis

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
2017-12-18
Abstract: 

Deep learning architectures have the potential of saving the world from losing football fieldsized forest areas each second. These architectures possess large learning capacities when compared to conventional machine learning architectures, and thus are trained on sizable data-sets to efficiently extract both coarse and fine features from various image scenes. As a result, they can provide crucial information that is needed to manage the deforestation process and its consequences on the environment and ecosystem more effectively. This thesis outlines the two deep learning based systems designed for satellite image analysis. The first system analyzed satellite images of the Amazon, and the goal was to interpret the image content by providing a set of labels that best describe it. The highest performing architecture was able to achieve a score of 92.886% while a combination of several high performance, yet uncorrelated, architectures increased the overall score to 93.070%. This result is only 0.248% lower than what current state of the art algorithms achieved on the same task. The second system was designed to detect the presence of clouds in Landsat 8 images by analyzing small chips within each large image. This system produced cloud masks, which were then compared to the corresponding ground truth cloud masks obtained from the provided images. The predicted cloud masks were able to achieve an average score of 92.931%, which is very high for the given accuracy measure.

Document type: 
Thesis
File(s): 
Senior supervisor: 
Ivan V. Bajić
Department: 
Applied Sciences: School of Engineering Science
Thesis type: 
Honours Bachelor of Applied Science

Exploring the Molecular Properties of Collagen Type IV with Atomic Force Microscopy

Author: 
Peer reviewed: 
Yes, item is peer reviewed.
Date created: 
2018-04-13
Abstract: 

Collagen type IV is a network-forming collagen that provides support and anchorage to cells. Its basic structural unit is a 410 nm long and 1.5 nm in diameter triple helix, with natural discontinuities in the triple-helical defining Gly-X-Y sequence. The C-terminal globular domain (NC1) in a collagen IV molecule plays an important role in forming networks, and has recently been reported to be structurally triggered by chloride ions to form hexamers outside the cell. How this hexamer assembles in vitro remains unknown. Here, I aim to use atomic force microscopy (AFM) to investigate the molecular basis of collagen type IV network assembly by studying the effects of different solvent conditions on the stability of the NC1 domain. Studying the dissociation of this hexametric domain can shed light onto how it assembles in solution and under what ionic conditions. The flexibility of the collagen type IV molecule is also investigated by performing statistical analysis of AFM-imaged chains and estimating persistence length, a mechanical property that quantifies the flexibility of a polymer. Here, I investigate the effects of triple helix interruptions on the flexibility of the molecule, by comparing collagen type IV to other fibrillar collagens that are continuously triple-helical. In addition, I determine a position-dependent flexibility profile of the molecule showcasing the effects of over-lapping interruptions, from a α1(IV)]2–α2(IV) mouse collagen type IV, on the persistence length.

Document type: 
Thesis
File(s): 

Inventing the “Virgo Angla”: Power, Patronage, and Self-Representation in the Poetry of Elizabeth Jane Weston

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
2018-04-23
Abstract: 

An individual’s self-presentation can leverage their place in the economy of social power: so suggest the patronage letters of Elizabeth Jane Weston (1582-1612), a young Neo-Latin poet in the court of Holy Roman Emperor Rudolf II. This paper examines how Weston adopted the persona of “Virgo Angla” (“The British Maiden”) and used conventionalized rhetorical techniques to navigate the power dynamics of patronage in the Neo-Latin Republic of Letters. Close readings of Weston’s letters explore how her self portrayal was a critical ingredient in her appeals to patronage: Weston portrayed herself in terms that emphasized her youth and gender, which she deployed in strategic modesty tropes and doubled discourses throughout her oeuvre. Ultimately, these close readings examine how Weston used her literary self-presentation to successfully play the patronage game, underscoring the notion that personal branding has currency in social power dynamics.

Document type: 
Graduating extended essay / Research project
File(s): 
Senior supervisor: 
Melek Ortabasi

De-sketching

Peer reviewed: 
Yes, item is peer reviewed.
Date created: 
2018-06-22
Abstract: 

Many software applications exist for plotting graphs of mathematical functions, yet there are none (to our knowledge) that perform the inverse operation - estimating mathematical expressions from graphs. Since plotting graphs (especially by hand) is often referred to as "sketching," we refer to the inverse operation as "de-sketching." As the number of mathematical expressions that approximate a given curve can be quite large, in this demo we restrict our attention to polynomials, and present a deep model that performs de-sketching by finding the best second-degree polynomial to fit the curve in the input image. Currently, our trained model is able to provide reasonably accurate estimates of polynomial coefficients for both synthetically-generated and hand-drawn curves.

Document type: 
Conference presentation
File(s): 

Expanding the Moroccan Storytelling Circle: Adaptations of Indigenous Moroccan Orality from Paul Bowles’ Five Eyes to Betsy Bolton’s Maghrebi Voices

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Abstract: 

This essay examines the traces of indigenous Moroccan oral storytelling in various collections of translated work. By focusing on the variations of form across these collections, and highlighting the commonalities between these stories, this essay argues that traces of the oral tradition found in translations from Morocco are evidence to the survival of its storytelling roots, and that these adaptations create an opportunity for the growth of new spaces in the tradition. A key example is Paul Bowles’ Five Eyes, a 1979 text adapted from the oral stories of illiterate Moroccans. Being both a set of performances adapted into writing, as well as a set of collaborative translations, Five Eyes moves between genres. This essay considers such movement through a background of cultural mediation, utilizing Homi Bhabha’s concept of “third space”. It also offers the analysis of a consistent literary style across texts originating in orality as well as in written form, by using Joseph Frank’s now-classic framework of spatiality and temporality in narrative structure. Using Five Eyes to build a perspective towards the process of literary adaptations from oral traditions, this essay enters more recent Moroccan collections. Such narratives include Mohamed Said Raihani’s “The Moroccan Dream” – a collection of contemporary written translations by Moroccan authors. This essay then enters the discussion of the halqa storytelling tradition in Morocco through Richard Hamilton’s The Last Storytellers, to provide a comparison in style between legitimated and illiterate indigenous storytellers. These stories, though having diverged from a common heritage, show similar styles, structures and grammatical cues that originate in oral performance. Betsy Bolton’s website, Maghrebi Voices, provides a contemporary endpoint, juxtaposing components that occur in each previous example, including recorded oral stories, written narratives, commentary and translated works, on an online platform.

Document type: 
Graduating extended essay / Research project
File(s): 
Senior supervisor: 
Mark Deggan

Social Media and Chinese Students at SFU: A study of social media in cultural adaptation of Chinese students in Canada

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
2016-08-09
Abstract: 

This article presents a case study on the experience of cross-cultural adaptation of Chinese students at Simon Fraser University, and social media is suggested as a means to improve their experiences living around the Metro Vancouver area. In particular, this article studies reasons of the uncomfortable adaptation process of Chinese students, including mental, cultural, ideological, environmental, and educational aspects. At the same time, social media is proved to be a supportive tool in information searching and social networking, and its extension into cultural and educational aspects will also be investigated. To do this, 27 responses to an Internet-based survey and 4 interviews have been analyzed. The findings show that the majority of the respondents had unpleasant experiences for various reasons, in the meanwhile, they believe social media is a good starting point for Simon Fraser University to improve the cultural adaptation experience of new Chinese students.

Document type: 
Graduating extended essay / Research project
Senior supervisor: 
David Murphy
Department: 
School of Communication

If You Don’t Like It Change the Channel: Radio Censorship Policies and Enforcement in Canada

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
2013-07
Abstract: 

This project is an exploratory study of private radio regulation in Canada.  The Canadian Broadcast Standards Council (CBSC) is a self-regulating organization (SRO) made up of private broadcasters who create regulatory policies for radio as well as make decisions regarding consumer complaints about violations of the same policies.  Primary research consisted of twelve decisions made by the CBSC regarding complaints as well as two interviews with members of the broadcasting community.  Data were coded and analysed using the qualitative research software NVivo 10.  This research led to conclusions that indicate the CBSC has little public accountability as well as flaws within the regulation process as well as the regulations themselves. 

Document type: 
Graduating extended essay / Research project
Department: 
School of Communication

Video Games and the Ideology of War

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
2011-08-09
Abstract: 

Video games have become a central part of Western popular culture, and while the academic study of the medium has progressed greatly in the past decade, analysis of games is still profoundly underdeveloped in comparison to analysis of other popular media such as film and television. Moreover, in the context of a highly mediated society characterized by volunteer-based militaries, direct experience with the reality of warfare is rare, and for the majority of citizens, war is something that is understood and engaged with primarily through the distorting lens of popular media. War is often a central theme in video games, but it is rarely examined with any substantial level of criticism. The goal of this project, therefore, is to explore the question how is ideology present in the depictions of war and political violence in video games?

Document type: 
Graduating extended essay / Research project
Department: 
School of Communication

Running Out of Time at Hyperspeed

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
2011-04-15
Abstract: 

This paper attempts to map the rise of neoliberalism - as political economic policy and related ideology- to provide the necessary context for Putnam's generational change thesis, examining the American trends, this paper explores similar changes within a Canadian context. The components of civic engagement considered here include non-voting political activity, participation in elections, and participation in community activities. Neoliberalism refers to "a theory of political economic practices proposing that human well-being can best be advanced by the maximization of entrepreneurial freedoms within an institutional framework characterized by private property rights, individual liberty, unencumbered markets and free trade" (Harvey, 2007, p.22). Inherent in this paper's mapping is the recognition that advancing the neoliberal project requires the continual increase in consumption demand, an increase which manifests through the acceleration of consumption practices and the creation of new markets (Harvey, 2010). Focusing specifically on the development of information and communication technology (ICT) markets, this paper details how this industry exploded in the mid 1970s (Dyer-Witheford, 1999) and has continued to expand since (Sciadas, 2006). 

Document type: 
Graduating extended essay / Research project
Department: 
School of Communication

Getting Up or Selling Out? Contemporary Street Art as Public Communication and Artistic Practice

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
2012-03
Abstract: 

The past thirty years have seen the increasing ubiquity of a multitude of forms of urban inscription in our cities. While significant academic work has been committed to exploring graffiti in a number of ways, less attention has been paid toward the emergence of the specific practice of "street art". Focusing on the prolific UK based street artist Banksy, this paper presents a case study and discourse analysis ofBanksy's book Wall and Piece in order to explore the intersections ofart, politics, and commerce, and how they come to be configured through this emerging form of urban inscription. Principally drawing from Michel de Certeau's conceptualization around tactics, Pierre Lefebvre's idea of appropriation, and Howard Becker's characterization of the maverick artist, I suggest that the apparent contradictions between the antiestablishment themes in Banksy's work and the trajectory of his own commercially and critically successful career gesture towards a negotiated flexibility that is inherent in this emerging form ofurban artistic expression that meaningfully differentiates street art from other forms of graffiti. 

Document type: 
Graduating extended essay / Research project
Department: 
School of Communication