Communication - Theses, Dissertations, and other Required Graduate Degree Essays

Receive updates for this collection

A Political Economy Analysis of the Chinese Delivery Worker's Daily Communication Practice

Author: 
Date created: 
2016-08-15
Abstract: 

This extended essay explores the interaction between delivery workers’ political-economic status and their daily communication practice. The daily communication practice means the mobile phone and social media usage since the mobile phone and Internet are the media they use most often.The delivery workers are marginalized in political status since they have rural household registration while their income is closer to the income of urban white-collar workers. Moreover, the delivery industry needs more policies and laws to regulate the industry since it is an emerging industry. It exploits the vulnerable position of, and creates opportunities for, delivery workers to struggle for better citizenship rights and income.Their status excludes them from public discussion and they use private social media such as QQ and Wechat more than the public social media such as Weibo . However, the mobile phone and social media have the potential to impact on their political-economic status and struggle for better life.

Document type: 
Graduating extended essay / Research project
File(s): 
Senior supervisor: 
Alison Beale
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Extended Essay) M.A.

The role of public art in the communicative practices on university campuses in North America - A case study of public art controversies at an Canadian university

Author: 
Date created: 
2016-08-10
Abstract: 

Through the investigation of the organizational structures behind the decision-making process of university collections of public art as well as the controversies on campus in North American universities, this extended essay presents a case study of SFU Art Gallery and public art to examine how university art galleries and museums communicate their identities and values through their public art collection and play the role as modern national educational institutions to communicate values and ideologies through communicative practices.

Document type: 
Graduating extended essay / Research project
File(s): 
Senior supervisor: 
Janet Marontate
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Extended Essay) M.A.

Risk communication in Chile: A study of 2014 Valparaiso wildfire

Date created: 
2016-04-20
Abstract: 

Global warming and the consequent increase in natural disasters have influenced global risk prevention worldwide. Although scientific progress has improved the prediction of risks scenarios, there are examples indicating there is a gap between scientific knowledge and the ways communities perceive risks. In this context, this empirical research aims to understand the communication gaps and social aspects that could explain the disconnection between the scientific world and communities at risk. This research analyses an interface fire that occurred in Valparaiso, Chile, in 2014, which has been the worst wildfire in the city’s history. From a critical rhetoric of risk communication approach, this exploration concludes that in Valparaiso, top-down communication practices took place and communities at risk played an isolated and marginalized role, illustrating the predominance of a crisis management approach and a top-down information flow. This case highlights the critical role played by intermediaries, as key supports in the process and as central players able to fill communication gaps.

Document type: 
Thesis
File(s): 
Senior supervisor: 
Peter Anderson
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Thesis) M.A.

Luck and Liberty: The Political Economy of Life Chances

Author: 
Date created: 
2015-12-19
Abstract: 

In the wake of growing unrest about economic disparities between the “one per cent” and other classes in western societies, I argue that an assessment of life chances in contemporary capitalist liberal democracies has assumed a renewed urgency. There are many other factors outside of a person’s socioeconomic position that can influence life chances, such as place of birth, education and income, in addition to intersections with race, gender, or ethnicity, so that the lived experience of class often has a distinctively multidimensional character. Still, the focus in this dissertation is directed at higher levels of abstraction dealing with the political economy of life chances as a feature of life in western capitalist liberal democracies—societies often promoted as the freest and the most equitable in the world. To address these issues, I develop a conceptual test to demonstrate how unfair contemporary capitalist societies happen to be. I do this because too often debates about unfairness and inequality become squabbles about the accuracy of data and the suitability of econometric models but miss the point about ethics and exploitation; all of which distracts from reform. Developing this test has necessitated a movement through discussions of luck egalitarianism in the moral philosophies of liberalism and Marxism to demonstrate that much of what a person seeks to claim as their own is radically contingent. Irrespective of whether economic inequalities are caused by the genetic lottery of natural talents, the social lottery of opportunities to develop talents, or the market lottery where a person’s attributes become talents because they just happen to be in demand, are inherently unjust. Further, examining the role of market economies and institutional design in allocating life chances and rewards cannot be separated from a conception of what human flourishing happens to be and how it can likely be achieved. To support the aforementioned analysis of inequality, I distinguish between two kinds of luck: hard luck and institutional luck. I take hard luck to be items that are contingent and accidental as determined via ontological naturalism and qualified modal realism. By institutional luck I mean entrenched structured allocations of life chances as determined by social forces. While there is a tendency to confuse hard luck with institutional luck, I argue that what often appears simply as hard luck has an institutional anchorage that to some degree can be amenable to human intervention. Thus any adequate discussion of luck necessarily commits one to consider politics.

Document type: 
Thesis
File(s): 
Senior supervisor: 
Gruneau, Rick
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Thesis) Ph.D.

After displacement: Excavating memories of migrant sex workers and becoming entangled with the water trade in Yokohama

Author: 
Date created: 
2016-10-03
Abstract: 

In January 2005, a raid organized by the Prefectural Police in Yokohama, Japan, evicted independent sex trade businesses run by migrant women, predominantly from other regions of Asia in the marginalized district of Koganecho. The police and a group of local residents promoted the eradication of baishun [prostitution], using slogans about making the neighbourhood “safe” and “secure” and free of illegal foreigners and HIV carriers. Based on the ethnographic fieldwork I conducted over nine months, this dissertation explores question, what happens after transnational migrant sex workers are displaced from the city? in two ways. Organized into two parts, this dissertation first aims to critique the processes through which the lives of displaced migrants get further erased in the “memoryscapes” (Yoneyama 1999, Riano-Alcala 2006, McAllister 2010, 2011) of the city at both material and discursive levels. I analyze the built environment, official historical discourses in museum exhibitions and municipal policies, and local grassroots cultural productions in the forms of photography, films and film festivals. After analyzing the dominant memoryscapes of Yokohama, my dissertation brings to light the site of displacement where I encountered people of two water trade communities, one primarily Japanese and the other primarily Thai that emerged or survived in the aftermath of the police raid. Here I highlight the processes where I was “entangled” (Ingold 2008) with the local social relations and “confronted” by people in the field (Fabian 2001, p.25), having my research rejected or questioned in unexpected ways. Those moments forced me to be reflexive and turned my gaze from memories and experiences of others to my own as a site of critical scrutiny and ethnographic practice. In Part II, I attempt to share an embodied sense of what happens after displacement at an everyday interaction level, which I tentatively call an alternative memoryscape of the city. While the two parts respond to my research question differently, they share a common epistemological premise that the knowledge I present in my dissertation emerged through my “body as a site of knowing” (Pink 2015), as I engaged with the social, sensory, imaginary and material place of my research.

Document type: 
Thesis
File(s): 
Senior supervisor: 
Kirsten McAllister
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Dissertation) Ph.D.

Reflecting on Vancouver’s Current Youth Media Funding Trends in the Context of Neoliberalism

Date created: 
2016-08-31
Abstract: 

Youth media organizations and programs in Vancouver provide diverse opportunities for youth. However, my thesis argues that neoliberalism and discourses about the information society and creative industries have shaped youth media funding since the 1990s. Through interviewing youth media representatives in Vancouver, my findings indicate that these funding trends create a number of challenges for youth media organizations and programs. Organizations face precarious funding, have to rely on unpaid labour, and are confronting competitive funding environments that can impact how organizations collaborate. In addition, funding is becoming increasingly narrow and focused on individual skills development, which stands in contrast to the diverse work associated with youth media organizations and programs. Given the challenges that organizations face within current funding trends, I conclude that there is a need for sustainable government funding models for youth media programs in Vancouver.

Document type: 
Thesis
File(s): 
Senior supervisor: 
Stuart Poyntz
Alison Beale
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Thesis) M.A.

“To Fight the Battles We Never Could”: The Militarization of Marvel’s Cinematic Superheroes

Author: 
Date created: 
2016-06-16
Abstract: 

The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that a hegemonic American model of militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2011), and demonstrate the significant reorientation towards the military’s “War on Terror” of the film franchise. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful. Using a framework of genre, myth, and intertextuality I argue that superheroes are malleable icons, known largely by the public by their image and perhaps general character traits rather than their narratives. Militainment is introduced through a discourse of realism provided by Marvel Studios as an indicator that the property is not just for children. Ultimately, this results in shifting superhero ethics towards the goals of the American military and a concomitant militarization of mainstream popular culture.

Document type: 
Thesis
File(s): 
Senior supervisor: 
Zoë Druick
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Thesis) M.A.

Oppression in the Reddit Hivemind: Tracing Patterns of Misogyny in Electronic Public Spaces

Date created: 
2016-08-19
Abstract: 

My research specifically analyzes patterns of misogynistic discourse on the social bookmarking site Reddit, well-known for its tagline “The Front Page of the Internet.” Under that banner, Reddit is widely regarded as a neutral and universal source for news, and is often seen as being more democratic than legacy mass media. The website is also male-dominated and widely believed to foster a community that exhibits internal cultural and social biases rooted in specific power structures of hegemonic masculinity. This causes male experiences to be universalized and issues and perspectives pertaining to women to be ignored or even stigmatized within the community’s practices. These contradictions can be linked to a persistent culture of practices tracing back to older online platforms such as Usenet and more current ones such as 4chan involving meritocratic principles that inextricably form Reddit’s architecture. As a popular and influential social media platform, Reddit has potentially dangerous implications for public discourse. However, Reddit is also unique in that its open-ended nature allows for a multitude of independently functioning spaces. This includes the existence of alternative safe spaces, such as /r/TwoXChromosomes, which offer a more nuanced understanding of the site’s overall contributions to democratic public space. Using critical discourse analysis, I analyze popular subreddit communities including /r/worldnews and /r/TwoXChromosomes to see how prominent these patterns of misogyny are, how alternative spaces can function within its ecosystem and how these factors affect Reddit as an electronic public space and a contributor to democratic news discourse.

Document type: 
Thesis
File(s): 
Senior supervisor: 
Stuart Poyntz
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Thesis) M.A.

Journalism as myth: Representing the Chinese stock market crisis of 2015

Author: 
Date created: 
2015-09-30
Abstract: 

The tumults within China’s stock markets in the summer of 2015 riveted the international news media, which converged to speculate on the events' significance for the Chinese real economy and China's unorthodox adoption of market capitalism mixed with command-style economics. Stock markets, however, never signify by themselves – to see causality, sequence and higher-order signification in each day’s closing numbers is to find meanings beyond what is manifestly indicated by the represented event. That non-literal meanings appear self-evident to producers and consumers of the journalism indicates the operation of mythical meanings in the text, fulfilling Barthes’s (2012) famous prediction that no artefact of verbal production is ever safe from myth. A content analysis of journalism pertaining to the Chinese stock market shows the linguistic and semiological processes that operated in the text to transform stock market news into myths about the perils of betraying free market principles

Document type: 
Graduating extended essay / Research project
File(s): 
Senior supervisor: 
Alison Beale
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Extended Essay) M.A.

The Dialectic of Open Technology

Author: 
Date created: 
2016-04-01
Abstract: 

This paper explores the concept of openness in the technology domain. In contrast to the common notion of openness as transparent access, I define the concept as the degree of liberation or suppression of potentiality. To develop a theory of openness as potentiality, I draw on the works of Gilbert Simondon and Umberto Eco. Simondon’s theory of individuation explains the potentiality of incompatible relations between disparate domains. Resolving the incompatibilities actualizes the underlying potentiality, which is the energy source of constant, ambivalent changes in the lifeworld. Eco suggests that the semantic codes in contemporary art are unstable. They constantly oscillate between the rejection and the preservation of conventional systems. By appropriating Simondon’s and Eco’s theory to the realm of technology, I formulate a theory of openness in technology. I conclude with an inquiry on the significance of openness in practice and propose a design approach for developing open technologies.

Document type: 
Thesis
File(s): 
Senior supervisor: 
Andrew Feenberg
Frédérik Lesage
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Thesis) M.A.