Communication - Theses, Dissertations, and other Required Graduate Degree Essays

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Place-based redress -AND- The spectacle of reconciliation

Author: 
Date created: 
2020-04-28
Abstract: 

Essay 1: This essay proposes an effective strategy to confront Canada’s colonial public policy is settlers conducting place-based redress work rather than participating as allies in reconciliation. Despite the popularity of territorial acknowledgements and the performing of dialogue, the structural inequities persist in Canada. This essay brings together both autoethnographic and quantitative data on the role of accomplice work (Benally 2014) for critical interventions with settler power. Through engaged research experiences, autodidactic methods, mentorship from Elders, and participation in Coast Salish witness ceremonies, I became reflexive about my role in dominant culture’s fallacies. I need not wander far from terra nullis assumptions to discover the harmful underpinnings of an intact colonial system capturing willing participants for reconciliation’s charade of inclusivity. Essay 2: Spectacle and reconciliation serve a hegemonic role to continue Canada’s access to sovereign Indigenous Peoples’ lands and resources. As Canada sought a quick reconciliation with genocide, and marked its 150th birthday in 2017 with cultural celebrations, it relied on spectacle (Debord 1967) and Indigenous labour as audience commodity (Smythe 1981) to deliver the illusion of change. Far from bringing about national consensus to deliver rights and title, and repair settler and Indigenous relations, reconciliation instead delivered a liberal fantasy to maintain the extractive capitalist economy. This paper proposes reconciliation is a cloaking device to hide Canada’s assimilation and termination of rights agenda. With Canada’s incursions into Wet’suwet’en Nation, the lack of progress for Crown / Indigenous relations with benefits to transnational extractive capitalism has been exposed. The relation between the spectacle of reconciliation and maintaining colonialism has come increasingly into the light.

Document type: 
Graduating extended essay / Research project
File(s): 
Supervisor(s): 
Stuart Poyntz
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Extended Essays) M.A.

Moving towards cultural safety in mental health and addictions contracting for urban Indigenous Peoples: Lessons from British Columbia

Author: 
Date created: 
2015-01-08
Abstract: 

In response to the inequities in health and health care that Indigenous communities continue to experience, governments in many countries have used contracting as a policy mechanism to improve access to culturally safe health services. Case studies from New Zealand, Australia and Canada demonstrate the equity-promoting potential of contracting-out interventions within the Indigenous primary health care (PHC) sector. At the same time, these studies have heightened concerns about the exigencies of contract reform within increasingly neo-liberal climates. To foster accountability for health equity, more needs to be known about how current contractual arrangements, intended to support Indigenous community-based systems of care, actually fit with the evolving needs, priorities and contexts of Indigenous communities in Canada. In this project, I use a qualitative design and ethnographic methods to examine urban Indigenous Providers’ experiences with contracting for culturally safe mental health and addictions care within one Canadian province, British Columbia (BC). Critical theoretical perspectives and input from Indigenous advisors informed my inquiry. In addition to a critical policy review, I conducted in-depth interviews with Indigenous and non-Indigenous people within seven Indigenous and one non-Indigenous provider organizations (n=23), including senior administrators, managers and mental health care providers. I also interviewed policy and funding decision-makers and contract managers in the area of Indigenous mental health (n=10). Examining contracting for culturally safe mental health and addictions care from the perspective of urban Indigenous Providers in BC sheds light on the ways in which current funding structures, policies and contractual approaches mediate wider ideological constraints and impinge, often inadvertently, upon organizations’ capacities to develop and effectively deliver mental health care services that safely meet the intersecting needs of their communities. Neo-liberalism, the ongoing dominance of biomedicine within the broader health care system, the legacy of colonialism, race, gender and class intersect to simultaneously reproduce, reinforce and obscure colonial and neo-colonial patterns within contractual relationships, mental health programming and care. These findings have important policy implications for funders and support the call for an alternative framework to contracting that articulates equity as an explicit dimension of accountability and Indigenous culturally safe mental health and addictions care.

Document type: 
Thesis
File(s): 
Supervisor(s): 
Marina Morrow
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Thesis) Ph.D.

"Capitalocene or Anthropocene?" Challenging the Marxist narrative and the science of the Anthropocene: from eco- to Anthropocene feminism

Author: 
Date created: 
2019-12-04
Abstract: 

Essay 1: This essay takes an approach informed by Marxist Feminism and posthuman feminism in looking at the recent discussions within Marxist Ecology with a focus on the debate between John Bellamy Foster and Jason W. Moore about the ontology of the climate crisis, expressed as contestation between the terms “Anthropocene” and “Capitalocene.” By contextualizing this debate in the works of Marxist and posthuman feminist thinkers Maria Mies, Silvia Federici, and Joanna Zylinska among others, the essay argues that while “Capitalocene” more accurately describes the forces responsible for the crisis, “Anthropocene” is still a useful critical tool for structuring humanity’s relationship with the world around us. Further it is argued that while the notion “Capitalocene” identifies the way that capitalist relations have characterized nature, we must draw on the feminist scholars who have been developing a new ethics for the Anthropocene as thinking beyond capitalism and its human-centric ontology. Essay 2: This essay looks at the narratives around “the Anthropocene,” the new geological age that many scholars argue the Earth is now in. In looking at these various discourses, with special attention paid to the narratives from scientists and those in the Anthropocene Working Group, this essay will argue that the science of “the Anthropocene” has developed as a way to legitimize capitalism and the gender and racial hierarchies that it depends on. As such, “the Anthropocene” should be developed, beyond the science, as a critical tool to think through how to live within ecological crisis. In order to do this, we should follow the posthuman feminists who have already begun this work by thinking through questions of ‘ethics’ instead of ‘value.’ By reorienting the discussions around ‘ethics,’ questions about relationships between humans and between humans and the Earth stay central to the discussion, opening us up to the new ways of organizing the world by subverting the logic of capitalism and its systemic alienation that caused ecological crisis to begin with.

Document type: 
Graduating extended essay / Research project
File(s): 
Supervisor(s): 
Svitlana Matviyenko
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Extended Essays) M.A.

Intellectual property controversies in China’s emerging influencer economy

Author: 
Date created: 
2019-10-28
Abstract: 

Previously, it can be said that mass media systems were dominated by one-way communication flows (Bennet & Manheim, 2006). This created a clear demarcation between media producers and media consumers whom were also the primary target for established media campaigns (Jhally, 2000). However in recent years, emerging media platforms have generated new opportunities for social groupings and cultural modes in the process of transforming the traditional communications landscape (Srnicek, 2015). This new dynamic has challenged previously established regulations as embodied in the dynamic between fashion intellectual property (IP) and the commercialization of the “social media influencer” figure, as a new breed of online entrepreneurs and digital consumers have emerged in the Internet economy. While this is evident in many areas of the world today these processes play themselves out in a unique way in China. In the Chinese context, according to data regarding sales of women’s apparel on Taobao during the Single’s Day Shopping Carnival in 2018, four of the top ten highest selling stores were not run by traditional companies but instead were run by social media influencers (ASKCI, 2017). The nature of this impact can be explained by looking at one such influencer, renowned online celebrity Cherie who has contracted 30 online celebrities in her company Chen Fan, and delivered sales exceeding 150 million yuan in just 5 minutes and 50 seconds (ASKCI, 2017). Within 24 hours she was able to bring in 350 million yuan (ASKCI, 2017). As the influencer economy continues to expand in China so have questions concerning the nature of this new economy. For example, some social media influencers have used the same graphics or the recipes of world-famous companies, such as CPB or Loreal, when making their own products which are then available for purchase in their respective online shops. These behaviors have generated significant controversy in the Chinese online markets, from increasingly savvy consumers and local regulators, and even received global attention, from international IP regulators and media. Based on my case study and online observations, there is a contradiction between the presence of IP infringements in China’s emerging influencer economy and the state’s enforcement of IP law. It can be argued that facing this contradiction is a crucial step for China to rethink its shifting position in the global capitalist system.

Document type: 
Graduating extended essay / Research project
File(s): 
Supervisor(s): 
Enda Brophy
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Extended Essay) M.A.

Women’s Oral History and Survivors’ Testimonies of India’s Partition: A Feminist Analysis

Author: 
Date created: 
2020-01-16
Abstract: 

This thesis applies the principles of feminist and postcolonial methodology to analytically compare two types of oral history projects on women survivors from India’s 1947 Partition: grassroots feminist projects conducted by Indian feminists and activists Bhasin and Menon and Butalia; and the “1947 Partition Archive”, a depoliticized, open access digital repository of oral testimonies housed by the Stanford University Library. In analytically comparing the projects, the objective is two-fold: to recognize the potential of oral history as a feminist methodology that identifies participants as co-producers of knowledge where only by including them as active agents in the analysis, can new forms of feminist and anti-colonial knowledge emerge; and to argue that in order to ethically generate and share oral accounts in the digital age, where the danger of commodification can override the potential for democratization, there is a need to revisit questions of agency, empowerment and reflexive practices, ideals that are at the core of recent anti-colonial feminist research.

Document type: 
Thesis
File(s): 
Supervisor(s): 
Kirsten McAllister
Dara Culhane
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Thesis) M.A.

'They call it progress, we call it destruction': Memory and the construction of the W.A.C Bennett Dam

Author: 
Date created: 
2019-11-06
Abstract: 

This thesis discusses the W.A.C Bennett Dam Visitor Centre and how memory is presented and re-presented in visual form through exhibition and film. In this thesis, I offer the W.A.C Bennett Dam as a case study. Prior to 2015, the Visitor Centre presented a ‘high modernist’ story of ‘progress’ when describing the construction of the W.A.C Bennett Dam. This thesis explores the expansion of this narrative through collaborative efforts between designers, filmmakers, BC Hydro and First Nations communities. It places emphasis on the creation of the film ‘Kwadacha by the River’ (2017) as a focal point of the expression of memory, comparing and contrasting this with the former featured film at the facility – ‘Canyon of Destiny’ (1968).

Document type: 
Thesis
File(s): 
Supervisor(s): 
Jan Marontate
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Thesis) M.A.

Stocksy United: A case study of co-operation in the cultural industries

Author: 
Date created: 
2020-01-24
Abstract: 

This thesis examines Stocksy United, a stock photography platform co-operative, as a case study of worker resistance and self-organization in the cultural industries. Drawing on interviews with 12 Stocksy United members, it explores the meanings the co-operative’s artists assign to their work in order to better understand the possibilities of co-operation for a cultural workforce. I argue that Stocksy United represents a significant example of how the co-operative model offers an alternative for precarious workers in the cultural industries, affording them community, autonomy, and fairness on the job. However, it is also a model that illustrates the ambivalences of co-operatives, including a tendency for the degeneration of the co-operative ethic, tensions around participation and gender, and the reproduction of capitalist logics. It concludes by arguing that co-operatives are a valuable yet insufficient answer to the challenges faced by precarious cultural workers.

Document type: 
Thesis
File(s): 
Supervisor(s): 
Enda Brophy
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Thesis) M.A.

Chinese Rural Feminism: How Social Media Reshape Feminism in China

Author: 
Date created: 
2019-08-17
Abstract: 

With the development of social media in China, Chinese feminism is facing great challenges. On the one hand, social media provides a platform for feminists to discuss female issues, which has aroused wide public concern. On the other hand, the emerge of the discourse of Chinese rural feminism has put Chinese feminism under attack. As an Internet discourse, Chinese rural feminism has spread into people's daily life. Chinese rural feminism has destroyed the reputation of feminists even set back the progress of Chinese feminism because of its excessive remarks. This paper will provide a critique of Chinese rural feminism by studying the meaning and causes of its emergence. In order to better study the discourse of Chinese rural feminism, this research will use a case study of Mimeng, one of Chinese social media, to find out the meaning of the Chinese rural feminism. After text analyzing of Mimeng's article, this article will explore the cultural and social reasons behind the discourse of Chinese rural feminism, as well as figure out how social media plays a role in it.

Document type: 
Graduating extended essay / Research project
File(s): 
Supervisor(s): 
David Murphy
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Extended Essay) M.A.

Subcultures of coping: The idiosyncratic trends of Koi and Sang exhibited by Chinese Millennials"

Author: 
Date created: 
2019-08-01
Abstract: 

In recent years, a phenomenon has emerged and has soon become quite popular in China, which is the frequent appearance of “Sang” and “Koi” in Chinese online social media posts. The widespread use of the two terms online has drawn attention from the academic field, the media, as well as society at large. Many scholars, media producers, and even the public see the emergence of the Koi and Sang phenomenon as the establishment of new subcultures in China. Moreover, the majority of participants of the online social media platforms, where Koi and Sang are most commonly seen, are Chinese Millennials. As such, many have argued that the emergence of such online cultures unveils suppressed truths concerning the challenges faced by young adults in China and symbolizes pivotal issues that plague the greater Chinese society.

Document type: 
Graduating extended essay / Research project
File(s): 
Supervisor(s): 
Stuart Poyntz
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Extended Essay) M.A.

Para-social interactions in Chinese audio melodramas

Author: 
Date created: 
2019-08-31
Abstract: 

Audio melodramas of boy’s love have become a media phenomenon in China and have formed online communities on social media. This paper examined how these communities’ members interact in the listening process and trans-media extensions. This paper employed the concept of para-social interaction (PSI) to disentangle the novelty of PSI in the social media context. Nine thousand on-screen comments, three hundred comments, and a hundred posts from an audio melodrama The Untamed’s community on Sina Weibo were gathered and analyzed. The findings contribute to the theory of PSI and provide information about the question of whether our social relationship is becoming more or less authentic under the considerable influence of media expansion.

Document type: 
Graduating extended essay / Research project
File(s): 
Supervisor(s): 
Zoë Druick
Department: 
Communication, Art & Technology: School of Communication
Thesis type: 
(Extended Essay) M.A.