Allyson Clay works

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Digitized works of SFU Contemporary Arts professor Allyson Clay. The works include artworks on paper, paintings, mock-ups and sketches for projects, chapbooks, special projects for journals, catalogues, essays in books, sketchbook pages and journal excerpts, and objects that resulted from the process of making art. The works are in this collection and in the following sub-collections.

Ellipses (Disneyland Interruptions II), Installation View.

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
1997
Document type: 
Image

Botched Vista (Disneyland Interruptions I), Installation View.

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
1997
Document type: 
Image

Facing History: Portraits from Vancouver.

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
2001
Document type: 
Image

Self Portrait With Books.

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
2009
Document type: 
Image

Reading Machine.

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
2002
Document type: 
Image
File(s): 

Reading Machine.

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
2002
Document type: 
Image
File(s): 

Study for He Didn't Ask Her.

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
1990
Abstract: 

For her silkscreened poster "He Didn’t Ask Her" Allyson Clay ironically uses a male voice to express how Patriarchy has controlled the exhibition and dissemination of art by women and, by extension, also controlled the opportunity for criticism and interpretation. Like many posters by the feminist group Guerrilla Girls, Clay’s poster is striking and uses bold pink text against a black ground. 

Document type: 
Image

He Didn't Ask Her.

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
1990
Abstract: 

For her silkscreened poster "He Didn’t Ask Her" Allyson Clay ironically uses a male voice to express how Patriarchy has controlled the exhibition and dissemination of art by women and, by extension, also controlled the opportunity for criticism and interpretation. Like many posters by the feminist group Guerrilla Girls, Clay’s poster is striking and uses bold pink text against a black ground. 

Document type: 
Image
File(s): 

Blemish.

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
1992
Document type: 
Image
File(s): 

Blemish.

Author: 
Peer reviewed: 
No, item is not peer reviewed.
Date created: 
1992
Document type: 
Image
File(s):